This film series takes controversial Viennese architect and cultural theorist Adolf Loos’s 1908 lecture/essay “Ornament and Crime” as a departure point to explore the relationship between ornament and abolition in moving image practice. Loos connects ornamentation with the criminal, the degenerate, the childish, the culturally backward, the racially other, and the morbid. He rails against the “slavery” of ornamentation and the “ornament plague.” “Lack of ornament,” he contends, signifies modernity, efficiency, health, and intellectual superiority. Ornament and Abolition assembles a wide range of works. They foreground the radical potential of the ornamental, challenge the ways in which race-ornament-criminality have been linked, and underscore the ongoing importance of questions of film form and abolition. Artists reclaim ornament, interrogate the historical role of ornament in racialization and the production of deviance, and forge critical aesthetic experiments beyond ornament. Curated by Althea Wasow.
ADMISSION
- Free and open to the public
- The series will be continuously looped and available for viewing in the IAS reception area during regular opening hours.
PARKING
- Free parking is available at the Institute of Arts and Sciences Galleries
- Accessible parking on High Rd.
Image Credit: Still, Paris is Burning (1990).